About
Apollo's Fire under founder-director Jeannette Sorrell showcases its chorus in a selection of works by Handel, including Dixit Dominus, Ode for the Birthday of Queen Anne, and Zadok the Priest.
Apollo's Fire with founder-director Jeannette Sorrell has won widespread critical acclaim with their half-dozen releases on AVIE. Most recently they released two adventurous albums that explored the byways of historically informed performance practice: early Americana on Come to the River (AV2205) and ancient Celtic Christmas music on Sacrum Mysterium (AV2269). Returning to their baroque roots, they offer a selection of works by Handel that showcases the Apollo's Fire Chorus. The centrepiece of the album is the grand Dixit Dominus written during the composer's early days in Rome. In a gesture to Queen Elizabeth II's Diamond Jubilee year, Sorrell has chosen two works written for the monarch's forbearers - the Ode for the Birthday of Queen Anne which celebrated that sovereign's birthday in 1713, and Zadok the Priest composed for the coronation of King George II in 1727. As a bonus, Sorrell includes 'The Lord Shall Reign' from the epic Israel in Egypt.
Handel Dixit Dominus Best Recording
When Georg Friedrich Händel moved from northern Germany, his lifelong home, to Italy in 1706, it was for the purpose of gathering firsthand knowledge of Italian opera. However, Handel's decision to travel to Rome near the end of that first Italian year (or perhaps at the start of the next) must have been a bit counterproductive, since Papal edict had put an end to all theatrical entertainment in the city all the way back in 1677. Handel had no trouble finding employment as a composer of pure sacred music, however, and spring and summer of 1707 saw the composition of a large proportion of his wonderful Latin-texted choral works, including the large-scale Dixit Dominus for vocal solists, chorus, and string orchestra, HWV 232.
The Dixit Dominus is a musical setting in eight sections of Psalm 109, to which is added a setting of the Lesser Doxology that normally follows the reading of a psalm. Handel essentially crafted the text into a half-hour oratorio, finding, as so many Italian composers had already done, that Church authorities didn't seem to mind if one indulged in full-blown operatic style as long as the subject remained appropriate for sacred services. The lyric arias and dramatic choruses in the work are very similar to those one finds in Handel's English oratorios of many decades later, even if they show a little less aristocratic flair.
A sizable instrumental introduction, full of dramatic violin arpeggios, ushers in the opening chorus, 'Dixit Dominus Domine meo.' The alto (or, more properly, countertenor) aria 'Virgam virtutis' is by comparison far more relaxed, while the soprano's first aria offers the opportunity for both exquisite cantabile and refined melismatic exercise. The second chorus, 'Iuravit Dominus,' is a striking thing, bursting forth rapidly after a mysterious opening, but then moving almost immediately back -- via a very dramatic grand pause -- to the chromatic quagmire of the opening; again things rush forth, this time maintaining velocity until the end. The second half of the psalm verse begun in 'Iuravit Dominus' is given in the next chorus, 'Tu es sacerdos.' The chorus and five soloists (two sopranos, alto, tenor, and bass) join forces for the next two numbers, 'Dominus a dextris' and 'Iudicabit in nationibus.' 'De torrente in via bibet' is a very dissonant duet for two sopranos, while the final Doxology ('Gloria Patri..') moves forward along very melismatic lines. The final Amen is in the traditional fugal style
Source: Allmusic (https://www.allmusic.com/composition/dixit-dominus-hymn-for-soloists-chorus-orchestra-in-g-minor-hwv-232-mc0002358079).
Although originally composed for Chorus & Orchestra, I created this Interpretation of the 'Dixit Dominus' (The Lord Said - HWV 232) for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
The Dixit Dominus is a musical setting in eight sections of Psalm 109, to which is added a setting of the Lesser Doxology that normally follows the reading of a psalm. Handel essentially crafted the text into a half-hour oratorio, finding, as so many Italian composers had already done, that Church authorities didn't seem to mind if one indulged in full-blown operatic style as long as the subject remained appropriate for sacred services. The lyric arias and dramatic choruses in the work are very similar to those one finds in Handel's English oratorios of many decades later, even if they show a little less aristocratic flair.
A sizable instrumental introduction, full of dramatic violin arpeggios, ushers in the opening chorus, 'Dixit Dominus Domine meo.' The alto (or, more properly, countertenor) aria 'Virgam virtutis' is by comparison far more relaxed, while the soprano's first aria offers the opportunity for both exquisite cantabile and refined melismatic exercise. The second chorus, 'Iuravit Dominus,' is a striking thing, bursting forth rapidly after a mysterious opening, but then moving almost immediately back -- via a very dramatic grand pause -- to the chromatic quagmire of the opening; again things rush forth, this time maintaining velocity until the end. The second half of the psalm verse begun in 'Iuravit Dominus' is given in the next chorus, 'Tu es sacerdos.' The chorus and five soloists (two sopranos, alto, tenor, and bass) join forces for the next two numbers, 'Dominus a dextris' and 'Iudicabit in nationibus.' 'De torrente in via bibet' is a very dissonant duet for two sopranos, while the final Doxology ('Gloria Patri..') moves forward along very melismatic lines. The final Amen is in the traditional fugal style
Source: Allmusic (https://www.allmusic.com/composition/dixit-dominus-hymn-for-soloists-chorus-orchestra-in-g-minor-hwv-232-mc0002358079).
Although originally composed for Chorus & Orchestra, I created this Interpretation of the 'Dixit Dominus' (The Lord Said - HWV 232) for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
Pages | 135 |
Duration | 34:52 |
Measures | 843 |
Key signature | 2 flats |
Parts | 9 |
Part names | Flute, Oboe, Clarinet, French Horn, Bassoon, Violin(2), Viola, Cello |
Privacy | Everyone can see this score |
License | None (All rights reserved) |
Dixit Dominus is a psalm setting by George Frideric Handel (catalogued as HWV 232). It uses the Latin text of Psalm 110 (Vulgate 109), which begins with the words Dixit Dominus ('The Lord Said').
The work was completed in April 1707 while Handel was living in Italy. It is Handel's earliest surviving autograph. The work was written in the baroque style and is scored for five vocal soloists (SSATB), five-part chorus, strings and continuo. It is most likely that the work was first performed on 16 July 1707 in the Church of Santa Maria in Montesanto, under the patronage of the Colonna family.
The score was published in 1867. A typical performance lasts a little over 30 minutes.
Movements[edit]
The work has the following movements:
Movement | Type and voice | Text (English) | Text (Latin) | Original Biblical Hebrew |
---|---|---|---|---|
1 | Chorus | The Lord said unto my Lord: Sit thou on my right hand, until I make thine enemies thy foot-stool. | Dixit Dominus Domino meo: Sede a dextris meis, donec ponam inimicos tuos scabellum pedum tuorum. | נְאֻם יְהוָה, לַאדֹנִי--שֵׁב לִימִינִי; עַד-אָשִׁית אֹיְבֶיךָ, הֲדֹם לְרַגְלֶיךָ. |
2 | Aria (alto solo) | The Lord shall send the rod of thy power out of Sion: be thou ruler, even in the midst among thine enemies. | Virgam virtutis tuae emittet Dominus ex Sion: dominare in medio inimicorum tuorum. | מַטֵּה-עֻזְּךָ--יִשְׁלַח יְהוָה, מִצִּיּוֹן; רְדֵה, בְּקֶרֶב אֹיְבֶיךָ. |
3 | Aria (soprano solo) | In the day of thy power shall the people offer thee free-will offerings with an holy worship. The dew of thy birth is of the womb of the morning. | Tecum principium in die virtutis tuae splendoribus sanctorum. Ex utero ante luciferum genui te. | עַמְּךָ נְדָבֹת, בְּיוֹם חֵילֶךָ: בְּהַדְרֵי-קֹדֶשׁ, מֵרֶחֶם מִשְׁחָר; לְךָ, טַל יַלְדֻתֶיךָ. |
4 | Chorus | The Lord swore, and will not repent: | Juravit Dominus et non paenitebit eum: | נִשְׁבַּע יְהוָה, וְלֹא יִנָּחֵם-- |
5 | Chorus | Thou art a priest for ever after the order of Melchisedech. | Tu es sacerdos in aeternum secundum ordinem Melchisedech. | אַתָּה-כֹהֵן לְעוֹלָם; עַל-דִּבְרָתִי, מַלְכִּי-צֶדֶק. |
6 | Soloists and chorus | The Lord upon thy right hand, shall wound even kings in the day of his wrath. | Dominus a dextris tuis, confregit in die irae suae reges. | אֲדֹנָי עַל-יְמִינְךָ; מָחַץ בְּיוֹם-אַפּוֹ מְלָכִים. |
7 | Chorus | He shall judge the nations, fill the places with destruction, and shatter the skulls in the land of the many. | Judicabit in nationibus, Implebit ruinas, conquassabit capita in terra multorum. | יָדִין בַּגּוֹיִם, מָלֵא גְוִיּוֹת; מָחַץ רֹאשׁ, עַל-אֶרֶץ רַבָּה. |
8 | Soprano duet and chorus | He shall drink of the brook in the way, therefore shall he lift up his head. | De torrente in via bibet, propterea exaltabit caput. | מִנַּחַל, בַּדֶּרֶךְ יִשְׁתֶּה; עַל-כֵּן, יָרִים רֹאשׁ. |
9 | Chorus | Glory be to the Father, and to the Son, and to the Holy Spirit. As it was in the beginning, is now; and ever shall be, world without end. Amen. | Gloria Patri, et Filio, et Spiritui Sancto, Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen. | -- |
See also[edit]
External links[edit]
- Dixit Dominus: Scores at the International Music Score Library Project (IMSLP)
- Free scores of Dixit Dominus in the Choral Public Domain Library (ChoralWiki)
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Dixit_Dominus_(Handel)&oldid=853031759'
Organ, soloists, choir and baroque orchestra - Advanced - Digital Download
Composed by George Frideric Handel (1685-1759). Arranged by Marilena Zlatanou. Baroque Period, Praise & Worship. Piano Reduction, Score, Set of Parts. 419 pages. Published by Marilena Zlatanou (S0.308395).
Composed by George Frideric Handel (1685-1759). Arranged by Marilena Zlatanou. Baroque Period, Praise & Worship. Piano Reduction, Score, Set of Parts. 419 pages. Published by Marilena Zlatanou (S0.308395).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Viola 1. Composed 1707. HWV 232. 12 pages. Duration 45 minutes. Carus Verlag #CV 55.232/13. Published by Carus Verlag (CA.5523213).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Viola 1. Composed 1707. HWV 232. 12 pages. Duration 45 minutes. Carus Verlag #CV 55.232/13. Published by Carus Verlag (CA.5523213).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Vocal score. Composed 1707. HWV 232. 68 pages. Duration 45 minutes. Carus Verlag #CV 55.232/03. Published by Carus Verlag (CA.5523203).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Vocal score. Composed 1707. HWV 232. 68 pages. Duration 45 minutes. Carus Verlag #CV 55.232/03. Published by Carus Verlag (CA.5523203).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Organ. Composed 1707. HWV 232. 32 pages. Duration 45 minutes. Carus Verlag #CV 55.232/49. Published by Carus Verlag (CA.5523249).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Organ. Composed 1707. HWV 232. 32 pages. Duration 45 minutes. Carus Verlag #CV 55.232/49. Published by Carus Verlag (CA.5523249).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Composed 1707. HWV 232. Duration 45 minutes. Carus Verlag #CV 55.232/19. Published by Carus Verlag (CA.5523219).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Composed 1707. HWV 232. Duration 45 minutes. Carus Verlag #CV 55.232/19. Published by Carus Verlag (CA.5523219).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Composed 1707. HWV 232. 16 pages. Duration 45 minutes. Carus Verlag #CV 55.232/12. Published by Carus Verlag (CA.5523212).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Composed 1707. HWV 232. 16 pages. Duration 45 minutes. Carus Verlag #CV 55.232/12. Published by Carus Verlag (CA.5523212).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Violin 1. Composed 1707. HWV 232. 16 pages. Duration 45 minutes. Carus Verlag #CV 55.232/11. Published by Carus Verlag (CA.5523211).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Violin 1. Composed 1707. HWV 232. 16 pages. Duration 45 minutes. Carus Verlag #CV 55.232/11. Published by Carus Verlag (CA.5523211).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Cello/Double Bass. Composed 1707. HWV 232. 16 pages. Duration 45 minutes. Carus Verlag #CV 55.232/15. Published by Carus Verlag (CA.5523215).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Cello/Double Bass. Composed 1707. HWV 232. 16 pages. Duration 45 minutes. Carus Verlag #CV 55.232/15. Published by Carus Verlag (CA.5523215).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Viola 2. Composed 1707. HWV 232. 12 pages. Duration 45 minutes. Carus Verlag #CV 55.232/14. Published by Carus Verlag (CA.5523214).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Single Part, Viola 2. Composed 1707. HWV 232. 12 pages. Duration 45 minutes. Carus Verlag #CV 55.232/14. Published by Carus Verlag (CA.5523214).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Choral Score. Composed 1707. HWV 232. 32 pages. Duration 45 minutes. Carus Verlag #CV 55.232/05. Published by Carus Verlag (CA.5523205).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Choral Score. Composed 1707. HWV 232. 32 pages. Duration 45 minutes. Carus Verlag #CV 55.232/05. Published by Carus Verlag (CA.5523205).
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Handel's Dixit Dominus Alto Practice Test
By King's College Choir, Cambridge; Isobel Buchanan; English Chamber Orchestra; Stephen Cleobury. By George Frideric Handel (1685-1759). Listening compact disc. Published by Decca (NX.LON421294).
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By Drottningholm Baroque Ensemble, Hillevi Martinpelto, Anders Ohrwall, Anne Sofie Von Otter, and The Stockholm Bach Choir. By George Frideric Handel (1685-1759). Listening CD. Published by BIS Records (NX.BIS-CD-322).
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Soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir:SSATB, 2 Violins, 2 Violas, Cello, Bassi(Vc, double bass, Org))
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. This edition: urtext edition. Paperback. Barenreiter Urtext. Psalm 109. Vocal score. HWV 232. Duration 40 minutes. Baerenreiter Verlag #BA10704-90. Published by Baerenreiter Verlag (BA.BA10704-90).
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. This edition: urtext edition. Paperback. Barenreiter Urtext. Psalm 109. Vocal score. HWV 232. Duration 40 minutes. Baerenreiter Verlag #BA10704-90. Published by Baerenreiter Verlag (BA.BA10704-90).
![Text Text](/uploads/1/2/3/7/123700385/158123992.jpg)
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2 solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir:SSATB, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir:SSATB, 2 Violins, 2 Violas, Cello, Bassi(Vc, double bass, Org))
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. This edition: urtext edition. Paperback. Halle Handel Edition (HHA) III/1. Psalm 109. Score. HWV 232. Duration 40 minutes. Baerenreiter Verlag #BA10704. Published by Baerenreiter Verlag (BA.BA10704).
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. This edition: urtext edition. Paperback. Halle Handel Edition (HHA) III/1. Psalm 109. Score. HWV 232. Duration 40 minutes. Baerenreiter Verlag #BA10704. Published by Baerenreiter Verlag (BA.BA10704).
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SATB. Composed by George Frideric Handel (1685-1759). Arranged by W Herrmann. Choral Large Works. Baroque, Sacred, Collection, Classical. 112 pages. G. Schirmer #ED2974. Published by G. Schirmer (HL.50325430).
SATB. Composed by George Frideric Handel (1685-1759). Arranged by W Herrmann. Choral Large Works. Baroque, Sacred, Collection, Classical. 112 pages. G. Schirmer #ED2974. Published by G. Schirmer (HL.50325430).
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Cello, cello I, cello II, cello III, cello IV, cello V - Advanced - Digital Download
Composed by H. F. Handel. Arranged by Emma Butterworth. Baroque Period, Christian, Spiritual, Sacred, Funeral. Score, Set of Parts. 11 pages. Published by Emma Butterworth (S0.479371).
Composed by H. F. Handel. Arranged by Emma Butterworth. Baroque Period, Christian, Spiritual, Sacred, Funeral. Score, Set of Parts. 11 pages. Published by Emma Butterworth (S0.479371).
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Vocal Score. By Watkins Shaw. By George Frideric Handel (1685-1759). Edited by Watkins Shaw. Novello Handel Edition. Sacred. Piano Reduction. Novello & Co Ltd. #MUSNOV072323. Published by Novello & Co Ltd. (HL.14014199).
Vocal Score. By Watkins Shaw. By George Frideric Handel (1685-1759). Edited by Watkins Shaw. Novello Handel Edition. Sacred. Piano Reduction. Novello & Co Ltd. #MUSNOV072323. Published by Novello & Co Ltd. (HL.14014199).
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For Chorus and Orchestra. Composed by George Frideric Handel (1685-1759). Edited by Damian Cranmer. This edition: Paperback/Soft Cover. Sheet music. Eulenburg Taschenpartituren (Pocket Scores). Classical. Study Score. Composed 1707. 98.0 pages. Duration 40'. Eulenburg Edition #ETP 1708. Published by Eulenburg Edition (HL.49009671).
For Chorus and Orchestra. Composed by George Frideric Handel (1685-1759). Edited by Damian Cranmer. This edition: Paperback/Soft Cover. Sheet music. Eulenburg Taschenpartituren (Pocket Scores). Classical. Study Score. Composed 1707. 98.0 pages. Duration 40'. Eulenburg Edition #ETP 1708. Published by Eulenburg Edition (HL.49009671).
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Composed by George Frideric Handel (1685-1759). The Novello Choral Programme. Sacred. Score Only. Novello & Co Ltd. #MUSNOV078419. Published by Novello & Co Ltd. (HL.14013282).
Composed by George Frideric Handel (1685-1759). The Novello Choral Programme. Sacred. Score Only. Novello & Co Ltd. #MUSNOV078419. Published by Novello & Co Ltd. (HL.14013282).
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SSATB with piano or organ and soloists. Composed by George Frideric Handel (1685-1759). Arranged by William Herrmann. Choral Large Works. Latin, Concert, Classical, Cantata, Psalm, Sacred, Baroque, General Worship. Octavo. 24 pages. Published by G. Schirmer (HL.50488490).
SSATB with piano or organ and soloists. Composed by George Frideric Handel (1685-1759). Arranged by William Herrmann. Choral Large Works. Latin, Concert, Classical, Cantata, Psalm, Sacred, Baroque, General Worship. Octavo. 24 pages. Published by G. Schirmer (HL.50488490).
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SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Full score. Composed 1707. HWV 232. 96 pages. Duration 45 minutes. Carus Verlag #CV 55.232/00. Published by Carus Verlag (CA.5523200).
Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Full score. Composed 1707. HWV 232. 96 pages. Duration 45 minutes. Carus Verlag #CV 55.232/00. Published by Carus Verlag (CA.5523200).
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By Laurence Cummings, Emma Kirkby, and Royal Academy of Music Baroque Orchestra. By George Frideric Handel (1685-1759). Listening CD. Published by BIS Records (NX.BIS-CD-1235).
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Mixed choir:SSATB (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir:SSATB, 2 Violins, 2 Violas, Cello, Bassi(Vc, double bass, Org))
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. This edition: urtext edition. Stapled. Barenreiter Urtext. Psalm 109. Choral score. HWV 232. 58 pages. Duration 40 minutes. Baerenreiter Verlag #BA10704-91. Published by Baerenreiter Verlag (BA.BA10704-91).
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. This edition: urtext edition. Stapled. Barenreiter Urtext. Psalm 109. Choral score. HWV 232. 58 pages. Duration 40 minutes. Baerenreiter Verlag #BA10704-91. Published by Baerenreiter Verlag (BA.BA10704-91).
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Strings (2.2.1.1.1), solo SATB, mixed choir
Composed by George Frideric Handel (1685-1759). Arranged by Chrysander, Friedrich (1826-1901), Editor. German Sacred/Hymns: Baroque. Full score. Composed 1707. Duration 38 minutes. Published by Edwin F. Kalmus (KM.A2627-FSC).
Composed by George Frideric Handel (1685-1759). Arranged by Chrysander, Friedrich (1826-1901), Editor. German Sacred/Hymns: Baroque. Full score. Composed 1707. Duration 38 minutes. Published by Edwin F. Kalmus (KM.A2627-FSC).
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Organ, harpsichord
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. This edition: urtext edition. Stapled. Barenreiter Urtext. Psalm 109. Single part. HWV 232. 28 pages. Duration 40 minutes. Baerenreiter Verlag #BA10704-67. Published by Baerenreiter Verlag (BA.BA10704-67).
Composed by George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. This edition: urtext edition. Stapled. Barenreiter Urtext. Psalm 109. Single part. HWV 232. 28 pages. Duration 40 minutes. Baerenreiter Verlag #BA10704-67. Published by Baerenreiter Verlag (BA.BA10704-67).
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TENOR VOICE EMPHASISED – ALL OTHER VOICES DIMINISHED |
George HandelPart 1 - Dixit Dominus
George HandelPart 4 - Juravit Dominus
George HandelParts 5,6 and 7 - Tu es sacerdos in aeternum ..
George HandelPart 8 - Conquassabit
George HandelPart 9 - De torrente in via bibet
George HandelPart 10 - Gloria Patri et Filio
Running time: 32:04
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2. The FULL Concert – all parts from the same work, with all voices undiminished to help you fine-tune your performance. 3. Instrumental Version – simply the accompaniment, with no voices – perfect for testing your memory of the piece! We include complete step-by-step instructions on how to easily transfer your downloaded audio files onto a mobile device. Hallelujah! $10.00 |
Please note that Chord Perfect’s “50 Free Downloads” Choir Packs and additional “Full” Voice Concert and Instrumental Rehearsal Aids are only available for FREE when you purchase this “Master Class” Chorus Rehearsal Aid directly from Chord Perfect. The Instrumental Chorus Rehearsal Aid is available as a separate purchase directly from iTunes and Google-Play. |
CHORISTER BIOGRAPHIES
Dale HarrisDale is a Choral Scholar at the City of Birmingham Symphony Chorus. Since graduating from Birmingham Conservatoire in 2012 he has worked for the Royal Shakespeare Company and sang with the Armonico Consort as well as with Blossom Street’s chamber choir. As a soloist, he sings regularly in oratorio and opera, including performances of Handel’s Messiah, Britten’s War Requiem, Verdi’s La Traviatta (Gaston), Verdi’s Macbeth (Malcolm) and Puccini’s Turandot (Pong). In 2014, Dale also toured with the National Gilbert & Sullivan Opera Company for six months, singing in the chorus. Last year, Dale rejoined the RSC for another run of shows of The Merchant of Venice. |
Chris WebbChris was a choral scholar at the University of Cambridge, where he sang with the choir of Clare College and the University Chamber Choir. He is now a lay clerk at Southwark Cathedral and sings with renowned choirs including the Monteverdi Choir, London Voices, Farm Street Singers, and Blossom Street. He has also worked extensively with the Zürcher Sing-Akademie in Zurich, Switzerland. His recent operatic roles have included Colline (Puccini La boheme – Merry Opera Company) and Sarastro (Mozart Magic Flute – Opera Anywhere), and he is a member of the English National Opera’s ‘Opera Works’ young artists’ programme 2016-17. He learns singing with Alex Ashworth. |
Emily WenmanEmily completed her MA in Vocal Performance at the Royal Welsh College of Music and Drama, where she studied under Leah Marian Jones. She now trains with acclaimed soprano Gail Pearson. Emily is a principle soprano for professional ensembles including Blossom Street, The St Martin’s Voices Fellowship at St Martin-in-the-Fields, London, The Gesualdo Consort, Seren Singers, and Newman Hall Choir, and is an ex-choral scholar of The Chapel Choir of King’s College London and The BBC National Chorus of Wales. Emily is an experienced singing teacher and vocal animateur, and has worked on projects for The BBC National Chorus of Wales, The Arts Active Trust and WNO Max. |
René Bloice-SandersRené began his vocal training as a treble in Canterbury Cathedral Choir, becoming a member of the National Youth Choir in 2004. Since graduating from The University of Nottingham in 2010 with a BA (Hons), he received a Distinction for his Masters in Vocal Studies at the Royal Academy of Music in 2013, where he was also awarded the Nora Carstairs Bland Award. He performs both in the UK and abroad where his operatic roles include Figaro (Il barbiere di Siviglia), Marcello (La boheme) Marco (Gianni Schicchi), Belcore (L’elisir d’amore), Orfeo (L’Orfeo) and Morales/Dancairo (Carmen) and his concert work has included Handel’s Messiah, Bach’s Johannes and Matthaus Passion, Brahms’ Requiem and Vaughan Williams’ Sea Symphony. |
Phillipa ThomasPhillipa began her choral training in Cantamus Girls’ Choir, with whom she toured extensively and competed successfully. She studied music at the University of York, winning the York University Concerto Prize and, following her MA, she continued her vocal training at Birmingham Conservatoire where she was a finalist in various competitions and winner of the Birmingham Conservatoire Singing Prize. Whilst at York, she was a member of the University Chamber Choir and a founder member of Blossom Street. Before concentrating on operatic projects she was a regular on the choral circuit in London and continues to perform as a member of Blossom Street. |
Felicity DaviesFelicity graduated from Trinity College of Music in 2010, where she won the TCM Vocal Contemporary Prize. She currently sings with various professional ensembles including: The BBC Singers, Ex Cathedra and The Armonico Consort yet she also enjoys having an active solo career. Oratorio includes: The Creation, Elijah, Mozart’s Requiem, The Messiah, Samson and Nelson Mass, All the Ends of the Earth (Judith Weir), Missa Angelorum (Carl Rütti) and Daniel Lésur’s Le Cantique des Cantiques at the BBC Proms in 2010. Former operatic roles have included: Olympia (The Tales of Hoffman), Zerlina (Don Giovanni), 1st Spirit (The Magic Flute), Mabel (Pirates of Penzance), Angelina (Trial by Jury), Rose Maybud (Ruddigore), La Fortuna (Giustino), Countess Almavira (Marriage of Figaro), Madame Herz (The Impressario), Lady Harriet (Martha), Susan (A Dinner Engagement) and Vagaus (Juditha Triumphans.) |
Musical Director: Hilary CampbellHilary Campbell is a freelance choral specialist, and is founder and Musical Director of professional chamber choir Blossom Street, and Musical Director of Bristol Choral Society, Chiswick Choir and the Music Makers of London. Her guest work includes ensembles such as the BBC Symphony Chorus, Trinity Laban Chamber Choir, BBC Radio 4’s Daily Service Singers, the University of Greenwich Choir and the Royal Academy of Music Symphony Chorus, whom she recently prepared for a performance of Mahler Symphony No. 2 at Royal Festival Hall conducted by Semyon Bychkov. She also runs an annual project with Master of the Queen’s Music, Judith Weir, at the Royal Academy of Music, in conjunction with Blossom Street and the RAM composition department, and is conductor of P&O Ferries Choir, the group which won the BBC2 series The Choir, and whom she met whilst filming for the series. In addition to her regular conducting work, Hilary also acts as an adjudicator, choral workshop leader and guest conductor. She is a founder member of the Voices of London Festival, and is also a published and prize-winning composer. |